CMP
Thursday, 26 May 2016
Wednesday, 25 May 2016
Advert evaluation.
Spotify: For Students.
I created an advert for Spotify to advertise the fact that
they were selling Spotify Premium at half price for students.
My
persuasive technique was set to be humour as in my initial research I found
that it was the most preferred and enjoyed advertising technique, followed
closely by repetition which, whilst my focus group stated that although they
didn’t always enjoy the advert itself the fact that it was repeated meant that
it would get stuck in their head and have them thinking about it for days
after. Although whilst editing I found that I hadn’t quite used humour as
intended, to combat this and ensure my persuasive technique that I was planning
to use was enjoyed I stuck closely to the idea of repetition and did this by
using fairly similar shots and the same music track throughout. Repetition can
build brand familiarity, which is what I was hoping to achieve by creating
similar shots and following the same genre of previous Spotify ads, however it
can also lead to consumer fatigue, where consumers become so tired of an ad
that they ignore it or purposely avoid the product the ad is attempting to
sell. I found that whilst creating mine I was able to avoid becoming too
over-repetitive through having shots that weren’t extremely similar and by
using a soundtrack that wasn’t extremely popular or a soundtrack that had a
repetitive jingle that can get old very easily. Another advertising technique I
used was the bandwagon technique. I attempted to show this through the group of
teens shown having fun with the product and the catchphrase being “The
soundtrack to your teen years” which makes attempts to convince the customer
that others are using it and they should join the crowd as well as implying
that if they don’t purchase the product they will be left out. However a
limitation to this I found was that it can be a very patronising technique,
even if it did work on the majority of people. 36% of my focus group commented
that the writing, that I was using to attempt to show what the customers could
be gaining by using the product, felt childish and made them feel as if they
were being talked down on.
I was surprised to see what advertising technique my chosen
demographic thought I was showing, with the most thought of technique being
Humour followed by Sex. I can see where people would see Sex as an advertising
technique as throughout there are people in swimming costumes and then a scene
where two girls remove their bikini tops. However the swimsuits were not
intended to be portrayed as an advertising technique which people took it as,
this showed me that I need to be careful when looking at and using Sex within
an advert as you can intend for it to be taken one way and it’ll just be taken
as another.
My idea has changed a lot from the initial concept that I had
in mind, in terms of content and pace. Originally I had decided to show a
variety of teens around Brighton; on the beach, on the pier, running, studying
and in the sea life centre. I was also intending to use more than one song
within it, to create a more diverse soundtrack. However as I was editing I
realised that although I would have been showing the customers a variety of
people using the product I wasn’t really driving home the benefits of what the
product can give- using the Bandwagon advertising technique. So to fit this I
decided to have it focused in one location (the beach) so as to be able to fit
in enough shots from this specific location to drive home the point that having
Spotify makes a day better. However if I were to re-film this advert I would
definitely include the range of shots I had initially planned as most of my
feedback stated that they felt the shots were too boring and that they ended up
losing interest in the advert, 63% of people said that the advert could be
improved by having a range of alternative shots in the ad compared to the
footage used.
Before I filmed my advert I looked at a range of pre-existing
ads for music apps, mainly a range of previous Spotify apps and ads such as
Apple Music. Now that my ad is finished I recognise a lot of similarities
between my advert and previous ones where I incorporated successful ideas that
I enjoyed and ideas that my initial focus group said they enjoyed. The main
similarities focus in on the lack of a voice over, a soundtrack that displays a
light hearted carefree tune and often, text throughout the video. However there
are also differences with my own advert, such as where I have taken my own interpretation
on the writing that displays what you have to gain from the product, I added a
variety of colour and mixed the font size up. This was to alter the text from
something potentially dull to writing that fit the Spotify brand identity which
they state to be “A bold and explosively colourful brand identity.” I also used
a lot less people than what you would usually see in one of the adverts, this
was to create a more intimate feeling video where you could see the closeness
of the friendship group and as a customer you could picture yourself there with
the people having fun.
Getting feedback was key throughout the process of creating
and then evaluating the advert as it enabled me to gain insight to the advert
through the eyes of the people the ad was aimed at (students aged 16-24). The
first form of primary research I gained was through sending out a survey
through social media which helped me receive a variety of responses from those
within my target demographic; sending out a survey via the internet was
extremely beneficial as I received a large number of responses that I would not
have been able to get otherwise. It provided a way for me to be able to see
exactly the type of responses people that see the advert would have as the
survey was seen by many people from all over, vastly different to the responses
gained through a focus group as those responses are all people from the same
area (Brighton).
Gaining responses from surveys was tremendously helpful as it
gave me clear set quantitative data that I was able to use in graphs that
allowed me to clearly lay out my data and evaluate it, rather than having to
dig through general comments. It was very straight to the point and allowed a
variety of responses to be condensed into clear set percentages that made it
easy to see what the responses were. I was only able to use percentages because
such a large number of people responded to the survey which was an additional
benefit to this method. I was able to gain clear data on things like what time the chosen demographic thought the ad belonged on, which was made clear and easy to analyse by using the quantitative data to create a graph.
Having a Focus group was extremely helpful as it allowed me
to get straight, clear answers from my demographic and instead of having one
sided answers like the ones you get from a survey I was able to have
conversations that followed up a question and allowed me to be adaptable in the
questions I was asking by letting my questions be contingent on their answers.
As well as being extremely helpful when gaining feedback the fact that I didn’t
know everyone in the focus group well was ideal as it allowed me to gain
valuable insight into how my target demographic reacted without questioning if
they were letting their personal attachments to me change how they reviewed the
advert.
By doing a Focus group I was able to receive personal
responses such as; “Looks like the sort of ad you would expect from Spotify,
very professional.” and “The continuous fast paced cut editing made it really
fun to watch, even though the shots were all very similar.” This helped me when
looking at what went well and what I should keep. They also gave me clear criticisms
to work with, like; “Didn’t really show the use of Spotify.” and “The advert
works well for people that already know about Spotify as a brand, however it’s
not very clear for people that haven’t heard of it before.” These were the most
helpful as the qualitative data was personal and easy to use when looking for
directions.
Tuesday, 24 May 2016
Monday, 11 April 2016
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